The Neanderthal Post

Survival of the Blog

The Evolution of Porn and Erotica

Not so long ago, many people treated pornography like a dirty little secret. Adult movies were kept in video stores’ back rooms or sold in seedy sex shops. Erotic books, magazines and toys were created with men in mind, and women were largely ignored…unless they were nude.   But times are changing. As the Internet gained popularity, pornography found its way into more and more homes. Now, Americans spend up to $10 billion a year on porn, and men aren’t the only ones supporting this highly profitable industry.

“Something’s going on in bedrooms across America,” Oprah says. “It has been reported that 1 in 3 consumers of online porn in our country are now women.”   To find out how porn is changing and why women are more open to the experience, Lisa Ling visited adult film sets and spoke to industry insiders. Though 70 percent of women say they keep their online viewing habits secret, Lisa says there’s no question that more and more women are watching and buying erotica and porn.

“It’s not so much that it’s gotten better. It’s changing,” she says. “Now there is porn that is being produced specifically for women by women, in some cases, and it just looks different. It feels different. There’s more of a storyline. It’s more romantic.”    During her investigation, Lisa met Steve Hirsch, the Ivy League–educated CEO of the world’s largest adult film studio, Vivid Entertainment. Steve says porn producers are trying to keep up with the needs of new female consumers.

“I would say that 30 to 40 percent of the market is female. Now, some of that are men who rent movies to watch with their wives,” he says. “We saw this huge couples’ market that was untapped and nobody was really going after.”   To make porn more appealing to women, Steve says his studio began producing a different sort of adult film. “I think that there’s more foreplay. There’s more tease,” he says. “Women, in a lot of cases, like to watch movies with story lines.”   Continue reading…

December 28, 2009 Posted by | Dating/Sex, Love, News | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Angelina Jolie: Fidelity Isn’t Essential

via Huffington Post

If the illustrious Telegraph’s translation is to be believed, Angelina Jolie isn’t tied to the idea of fidelity.

Jolie gave an interview to Das Neue in which she said:

“I doubt that fidelity is absolutely essential for a relationship. It’s worse to leave your partner and talk badly about him afterwards.

“Neither Brad nor I have ever claimed that living together means to be chained together. We make sure that we never restrict each other.”

She added, “The sparks fly at home if the nice Brad fails to see that he’s wrong and reacts in a defiant way. Then I can get so angry that I tear his shirt.”

Jolie and Brad Pitt have been together over four years and were in New York earlier Christmas week with their kids.

December 27, 2009 Posted by | Celebs, Dating/Sex | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Ron Muech – Hyper Realist Sculptor

There is a point, when sculpturing, at witch taking great care of details leads to creating hyper realistic artwork that cannot be set apart from the real world objects it is supposed to represent. Ron Muech sculptures are just that, extraordinary realistic work that seems real even after looking at it for the tenth time. 

Ron Mueck was born on 1958 is an Australian hyper realist sculptor working in Great Britain. Mueck’s early career was as a model maker and puppeteer for children’s television and films, notably the film Labyrinth for which he also contributed the voice of Ludo.   Mueck moved on to establish his own company in London, making photo-realistic props and animatronics for the advertising industry.   Although highly detailed, these props were usually designed to be photographed from one specific angle hiding the mess of construction seen from the other side. Mueck increasingly wanted to produce realistic sculptures which looked perfect from all angles.

In 1996 Mueck transitioned to fine art, collaborating with his mother-in-law, Paula Rego, to produce small figures as part of a tableau she was showing at the Hayward Gallery. Rego introduced him to Charles Saatchi who was immediately impressed and started to collect and commission work.   This led to the piece which made Mueck’s name, Dead Dad, being included in the Sensation show at the Royal Academy the following year. Dead Dad is a rather haunting silicone and mixed media sculpture of the corpse of Mueck’s father reduced to about two thirds of its natural scale. It is the only work of Mueck’s that uses his own hair for the finished product.   Mueck’s sculptures faithfully reproduce the minute detail of the human body, but play with scale to produce disconcertingly jarring visual images. His five metre high sculpture Boy 1999 was a feature in the Millennium Dome and later exhibited in the Venice Biennale.   In 2002 his sculpture Pregnant Woman was purchased by the National Gallery of Australia for $800,000.

***************Continue viewing all the pictures…

December 20, 2009 Posted by | Art/Culture, News | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment